TARWUK is the artistic collaboration of Ivana Vukšic (b. 1981, Dubrovnik, Croatia) and Bruno Pogačnik Tremow (b. 1981, Zagreb). Vukšic received her MA from Faculty of Political Sciences, Zagreb and Pogačnik Tremow received dual MFAs from Columbia University and Academy of Fine Arts, Zagreb.
Solo and two person exhibitions include Mit dem Frosch zu schmusen, ist es unmöglich., White Cube, London (2026); I AM I, BUT I AM YOU, AND YOU ARE YOU, BUT YOU ARE ALSO I, Salon Galić, Split, Croatia (2025); Nijemi Film, Cultural Centre, Osijek, Croatia (2025); Good night, Ernst Toller!, Matthew Brown, New York (2024); Conceived for the Stage, White Cube, Paris (2023); Бољи живоt, HALLE FÜR KUNST Steiermark, Graz, Austria (2023); Posadila sam kost u zimskom vrtu, White Cube, London (2023); Ante mare et terras, Maramotti Collection, Emilia Romagna, Italy (2021); A Musical Score at the End of the World, Matthew Brown, Los Angeles, (2021); Bijeg u Noć, Martos Gallery, New York (2020); Pčele su prije bole češće. Nije li tako?Molim?,15 Orient, New York (2020); Vernacular River Holds 6 Bodies Down, Lauba, Zagreb (2020); Second Celebration of the Five, Evening Hours, New York (2019); LENT, Taito Ryokan, Tokyo (2019); TARWUK with Gee Vaucher, Gauntlet, New York (2018); ’…Ti živiš već hiljadu godina.’ Team Gallery, New York (2018); Tužni Rudar,15 Orient, New York (2018); HOST2, Jaakko Pallasvuo and Anni Puolakka, GMK Gallery, Zagreb (2018); 0621_141332 (2), Museum of Fine Art, Osijek, Croatia (2017); HOST, Jaakko Pallasvuo and Anni Puolakka, Showroom MAMA, Rotterdam (2017); Tout est pret. Au premier signal que vous nous enverrez de Trieste, tous se leveront en masse pour l'independence de la Hongrie. Xrzah., Ethnographical Museum of Istria, Pazin, Croatia (2017); help you, help me, Essex Flowers, New York (2017); The Tyranny of White Teeth, Hannah Bonaguoro and Ryan Foerster, Museum of Fine Arts, Split, Croatia (2017); The rash of tommy Borgia, Hannah Bonaguoro and Ryan Foerster, Lazareti 1-5, Dubrovnik, Croatia (2017); j_KOPSA_LUCIS.32, Practice, New York (2016); M491A192()INKAROH, Museum of Modern and Contemporary Art, Rijeka, Croatia (2016); 4D/Dominant Doorman Doorstep Document, Pony Project Gallery, Vienna (2015); No New Followers, Lauba, Zagreb (2015); and Family Totems, Pony Project Gallery, Berlin (2014).
Select group exhibitions include Looking Back / The 15th White Columns Annual, selected by Elisabeth Kley, New York (2025); PROGRAM, Matthew Brown, New York (2024); Papertrail, Matthew Brown, Los Angeles (2023); Door to the Atmosphere, Frye Art Museum, Seattle, WA (2022); I’m Not Your Mother, PPOW Gallery, New York (2022); Dissolving Realms, Kasmin Gallery, New York (2022); Strange Attractors. The Anthology of Interplanetary Folk Art. Vol. 3: Lost In Space, APALAZZOGALLERY, Brescia, Italy (2022); Recent Sculpture, Matthew Brown, Los Angeles (2022); Exploratory Drawings, Maximillian William, London (2022); Studio Visit. Thoughts and Practices Surrounding Ten Artist’s Studios, Collezione Maramotti, Reggio Emilia, Italy (2021); Anarchy of the Imagination, Kerry Schuss, New York (2021); and Nesvrstani, Lauba, Zagreb, Croatia Drava Art Biennale, MLU, Osijek, Croatia (2020).
TARWUK’s work is in the collection of The Al Thani Collection, Paris; The Bunker, West Palm Beach, Miami; Collezione Maramotti, Reggio Emilia, Italy; He Art Museum, Foshan, China; K11 Art Foundation, Hong Kong; Marciano Art Foundation, Los Angeles; Moderna Museet, Stockholm; Museum of Fine Arts, Osijek, Croatia; Nasjonalmuseet, Oslo; TANK Shanghai; Thomas J. Watson Library, The Metropolitan Museum of Art, New York; Xiao Museum of Contemporary Art, Rizhao, China; and the Zabludowicz Collection, London.
