Kenji Ide, The time of a shadow, Matthew Brown, Los Angeles, Installation view, 2025.
Photo Credit: Paul Salveson
Kenji Ide
Walking with two empty thoughts, 2025
Wood, watercolor, acrylic varnish, iron
5 1/2 x 5 1/2 x 7 1/8 in
14 x 14 x 18 cm
Kenji Ide, The time of a shadow, Matthew Brown, Los Angeles, Installation view, 2025.
Photo Credit: Paul Salveson
Kenji Ide
The time of a shadow, 2025
Wood, watercolor, acrylic varnish
15 3/4 x 14 1/8 x 11 5/8 in
40 x 36 x 29.5 cm
Kenji Ide
On the two heads and the process, 2025
Wood, watercolor, acrylic color spray, acrylic varnish
7 1/8 x 19 3/4 x 4 1/8 in
18 x 50 x 10.5 cm
Kenji Ide (b. 1981, Yokosuka, Japan) lives and works in Tokyo.
Solo exhibitions include The time of a shadow, Matthew Brown, Los Angeles (2025); Art Basel Paris with KAYOKOYUKI (2024); Some other times, organized by Wschód, Adam Mickiewicz Museum of Literature, Warsaw (2024); American Friend, Adams and Ollman, Portland, OR (2024); Two persons, two times, KAYOKOYUKI, Tokyo (2023); A poem of Perception, curated by Matt Jay, Portland Japanese Garden, Portland, OR (2022); Banana Moon, Watermelon Sun (Landmark), GOYA Curtain, Tokyo (2021); Rittai 3, Art Center Ongoing, Tokyo (2020); A private sketch of tennis, See Saw Gallery, Nagoya (2018); Rittai 2, Art Center Ongoing, Tokyo (2018); Rittai, Art Center Ongoing, Tokyo (2015); and Igawa and white wall, Art Center Ongoing, Tokyo (2012).
Selected group and two-person exhibitions include Seas, Night Skies, and Deserts, Wschód, New York (2024); In Search of the Miraculous, Wschód, Warsaw (2023); Social Life, KNULP, Sydney (2021); The Sentimental Organization of the World, Crevecoeur, Paris (2020); Tsukimi / Yugen, with Jiri Kovanda, Guimaråes, Vienna (2019); Kiss in Tears, Freedman Fitzpatrick, Los Angeles (2018); waiting in vain, statements, Tokyo (2017); Plum Shower, with Yuki Kimura, XYZ Collective, Tokyo (2017); and After the summertime, statements, Tokyo (2016).
